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In August 2021, wildfires erupted in the southwestern hills of Jerusalem, engulfing and ultimatel... more In August 2021, wildfires erupted in the southwestern hills of Jerusalem, engulfing and ultimately destroying up to 20,000 dunums of pine forests planted by Israeli settlers. The burned landscape revealed a stunning vista of terraced hillsides, a visual testament to the existence of Palestinian land-based relations hidden under the camouflaging foliage. In this experimental visual essay, fire is postulated as an elemental force of Indigenous Palestinian resistance to the ongoing conditions of environmental and human Nakba imposed on Palestinian lands and bodies under Zionist settler colonialism. Fire, as a transformative and atmosphere-altering medium, is thus theorized and visualized as elemental intifada.
In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers,... more In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.
In August 2021, wildfires erupted in the southwestern hills of Jerusalem, engulfing and ultimatel... more In August 2021, wildfires erupted in the southwestern hills of Jerusalem, engulfing and ultimately destroying up to 20,000 dunums of pine forests planted by Israeli settlers. The burned landscape revealed a stunning vista of terraced hillsides, a visual testament to the existence of Palestinian land-based relations hidden under the camouflaging foliage. In this experimental visual essay, fire is postulated as an elemental force of Indigenous Palestinian resistance to the ongoing conditions of environmental and human Nakba imposed on Palestinian lands and bodies under Zionist settler colonialism. Fire, as a transformative and atmosphere-altering medium, is thus theorized and visualized as elemental intifada.
In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers,... more In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.
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